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| 表面の説明 | Multicolour intaglio print with a central vignette of white flowers against a pale guilloche underprint, flanked symmetrically by two Balinese temple gate (candi bentar) structures with ornate foliate scrollwork. Denomination numerals "5000" appear at lower left and right corners, with serial numbers in black ink at centre. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Blank unprinted paper, consistent with a proof or essay presentation. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The 1959 Indonesian series was one of the first major issues Bank Indonesia commissioned after the government's sweeping monetary reform of August 1959, which halved the face value of all banknotes above 25 rupiah and froze a portion of bank deposits — a blunt attempt to drain liquidity from an overheated economy without the infrastructure to print entirely new stock quickly enough. De La Rue's involvement was a deliberate choice for a young central bank still building credibility, both at home and with foreign creditors.
Proof examples from this series are rare. The 1959 inflation pressures meant circulating stock was prioritised; archival specimens were not systematically preserved by the issuer.