Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos oder mit E-Mail registrieren

5000 Reis

Emittent Banco Nacional Ultramarino
Jahr 1909
Typ Anmelden um Details zu sehen
Nennwert Anmelden um Details zu sehen
Währung Anmelden um Details zu sehen
Material Paper
Größe Anmelden um Details zu sehen
Form Anmelden um Details zu sehen
Druckerei Anmelden um Details zu sehen
Designer Anmelden um Details zu sehen
Stecher Anmelden um Details zu sehen
Im Umlauf bis Anmelden um Details zu sehen
Referenz(en) Anmelden um Details zu sehen
Vorderseitenbeschreibung Anmelden um Details zu sehen
Vorderseitenlegende Anmelden um Details zu sehen
Rückseitenbeschreibung Printed in green. A large central medallion vignette, framed by the bank name in a circular legend and surrounded by an intricate guilloche border, contains an allegorical female figure seated before a sailing ship. Numeral "5" counters appear in the left and right guilloche panels, and the printer's imprint is set along the bottom margin. The branch payability inscription is printed in red at the top.
Rückseitenlegende Anmelden um Details zu sehen
Unterschrift(en) Anmelden um Details zu sehen
Sicherheitsmerkmal Anmelden um Details zu sehen
Beschreibung der Sicherheitsmerkmale Anmelden um Details zu sehen
Varianten P#9a - seal with text "Filial em S. Thomé"
P#9b - seal with text "Colonias, Commercio, Agricultura"
Anmerkungen

Banco Nacional Ultramarino was a Lisbon-based institution with a colonial mandate — it held note-issuing rights across Portuguese overseas territories, and by 1909 was producing currency for multiple distinct administrations simultaneously. This particular note was for metropolitan Portugal's purposes rather than the colonies, an arrangement that made BNU's position constitutionally unusual: a private bank holding monopoly issuance rights in a country still nominally a constitutional monarchy, barely a year before the 1910 republican revolution would force a fundamental renegotiation of those privileges.

Bradbury Wilkinson's involvement places the printing firmly in London's New Malden works.