カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Multicolour intaglio and letterpress printing. Central vignette presents a pensive portrait bust of Victor Schoelcher, French journalist and abolitionist politician, set against a background vignette of a sea and mountain landscape. Schoelcher holds in his hand the parchment of the decree abolishing slavery in the French colonies. Issuing authority and denomination inscriptions frame the design, with engravers' and designer's credits at lower margin. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Multicolour printing. Central vignette presents a group of figures engaged in fruit picking, rendered in a naturalistic style. At lower portion, Article 139 of the French Penal Code — warning against counterfeiting or falsification of banknotes — is printed within a grey cartouche. Denomination and issuing authority inscriptions appear in the upper and lower margins. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Institut d'Émission des Départements d'Outre-Mer was established in 1959 specifically to replace the Caisse Centrale de la France d'Outre-Mer as the currency authority for France's remaining overseas departments — Réunion, Guadeloupe, Martinique, and French Guiana. This note belongs to that transitional first issue. Robert Poughéon was a prominent French academic painter and illustrator, and his involvement reflects the Banque de France's consistent use of fine-arts figures for prestige denomination designs rather than relying solely on house engravers.
At 5000 francs, this was the highest denomination in the series before the 1960 French franc revaluation rendered such figures nominally obsolete almost immediately after issue.