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5000 Francs
| Emittent | Banque de Madagascar |
|---|---|
| Jahr | 1942 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | The central vignette presents a stylized zebu, with a second specimen positioned to the right. The surrounding border and decorative panels incorporate geometric motifs drawn from traditional Malagasy aloha textile patterns, lending the composition a distinctly regional artistic character. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The central vignette portrays a woman carrying a basket of fruit, flanked to the left by a resting team of zebus set against a landscape of baobabs and a hilltop village. To the right, men are engaged in loading a pirogue, with a sailing vessel and a ravinala palm rendered in the background. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
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| Anmerkungen |
Madagascar remained under Vichy administration until late 1942, when British forces completed their occupation of the island following Operation Ironclad — which means notes of this series were issued under two politically opposed regimes within months of each other. The Banque de Madagascar continued operating through the transition, and the same note designs circulated under both authorities with minimal modification.
Bléger and Forec were a working pair at the Banque de France's printing establishment, and their collaboration appears across multiple French colonial issues of this period. The engraving quality reflects metropolitan French production standards rather than the expedient wartime printing that characterized many occupied-territory issues elsewhere.