Danh mục
| Đơn vị phát hành | Malaysia |
|---|---|
| Năm | 1976 |
| Loại | Non-circulating coin |
| Mệnh giá | 500 Ringgit |
| Tiền tệ | Ringgit (1967-date) |
| Chất liệu | Gold (.900) |
| Trọng lượng | 33.437 g |
| Đường kính | 34.0 mm |
| Độ dày | 3 mm |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#21, Schön#60 |
| Mô tả mặt trước | National arms with supporters, date below |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | MALAYSIA BERSEKUTU BERTAMBAH MUTU 1976 |
| Mô tả mặt sau | Malayan Tapir |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | CIPAN 500 RINGGIT |
| Cạnh | Reeded |
| Xưởng đúc | |
| Số lượng đúc |
1976 - - 2 894 1976 - Proof - 508 |
| ID Numisquare | 7790623060 |
| Thông tin bổ sung |
Historical Context: The 1976 500 Ringgit gold coin commemorates Tuanku Yahya Petra ibni Almarhum Sultan Ibrahim, the sixth Yang di-Pertuan Agong of Malaysia (1975-1979). Designated "Agong VI Conservation," this issue highlights Malaysia's commitment to environmental preservation during rapid national development. It symbolizes early governmental recognition of ecological stewardship, reflecting a growing global awareness of conservation translated into national policy through numismatic art.
Artistry: The design, likely executed by the Royal Mint or a contracted European mint's design department, exemplifies modern numismatic aesthetics. While a specific engraver is often undocumented for such issues, the stylistic school blends dignified portraiture on the obverse with naturalistic representation on the reverse, consistent with the "Conservation" theme. The obverse features a regal effigy of the Agong, while the reverse depicts a motif emblematic of Malaysian biodiversity, rendered with realism and national pride.
Technical/Grading: Struck in .900 fine gold (33.437 grams, 34.0 mm), this coin exhibits excellent technical qualities typical of high-value commemoratives. For grading, key high-points for wear or weakness include the Agong's regalia and hair on the obverse, and delicate textures of fur, feathers, or foliage on the reverse's conservation motif. Uncirculated examples should display a full, sharp strike across all devices, often with proof-like fields, indicating meticulous production standards.