500 Réis - Afonso VI Countermarked 400 Réis

Emissor Brazil
Ano 1663
Tipo Standard circulation coin
Valor 500 Réis
Moeda Real (1654-1799)
Composição Silver (.9166)
Peso 22.9 g
Diâmetro 40 mm
Espessura
Formato Round (irregular)
Técnica
Orientação
Gravador(es)
Em circulação até
Referência(s) KM#63
Descrição do anverso Countermarked [S00]=500 réis over cruzados (400) from João IV and Afonso VI by law on 22.3.1663
Escrita do anverso Latin
Legenda do anverso
Descrição do reverso
Escrita do reverso Latin
Legenda do reverso
Bordo
Casa da moeda
Tiragem ND (1663) - -
ID Numisquare 5586379060
Informações adicionais

Historical Context: This 1663 500 Réis coin, a countermarked 400 Réis, reflects Afonso VI's monetary policies during a period of economic flux in the Portuguese Empire. Post-Restoration War, the crown faced financial pressures, leading to currency revaluations. The countermark, applied to existing 400 Réis silver coins, effectively increased their face value to 500 Réis. This common strategy addressed currency shortages, stabilized the economy, or retained bullion, impacting trade across Brazil and its territories.

Artistry: The artistry is twofold: the original host coin's design and the superimposed countermark. The underlying 400 Réis featured traditional Portuguese royal arms and a cross, characteristic of the Baroque style prevalent in 17th-century European coinage. The countermark itself, likely by an anonymous minter, is a functional design element. It typically comprised a punch featuring Afonso VI's monogram (AF) and the new denomination "500," often struck forcefully, partially obliterating the original design.

Technical/Grading: As a countermarked issue, technical evaluation prioritizes the clarity and depth of the countermark. Key high-points include the crispness of the "AF" monogram and the "500" denomination. The host coin, struck on a substantial 40mm silver planchet weighing 22.9g, would have original strike details, though often compromised. Collectors assess the evenness of the countermark's impression, the integrity of the underlying planchet, and any visible original design.

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