カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Brown-toned note engraved in the Perkins, Bacon intaglio style, with a central vignette of a seated allegorical female figure at the seashore accompanied by a cornucopia overflowing with fruit, a sailing vessel visible in the background. The bank title and denomination text are set within typeset letterpress panels, with the hand-completed date and place fields left blank for issue. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Plain unprinted reverse on cream-toned paper, consistent with the printing practice of Perkins, Bacon & Petch for this issue. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banco de Málaga was one of a cluster of provincial Spanish banks authorized under the 1856 banking law, which briefly permitted regional note issuance before the Banco de España absorbed most of their privileges in the 1870s. This note dates from that narrow window of provincial banking autonomy — a short-lived experiment that ended badly for most of the institutions involved.
Perkins, Bacon & Petch were chosen by several of these Spanish provincial banks, almost certainly because their intaglio work and security printing reputation made London the practical default for institutions that lacked domestic alternatives of comparable quality. The reales de vellón denomination itself was already living on borrowed time in 1860, superseded by the escudo system just four years later in 1864.