カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A large intaglio vignette in green occupies the centre-left of the reverse, comprising a multi-figure allegorical composition evoking Uruguay's agricultural economy: a gaucho on horseback, workers harvesting grain, a flock of sheep in the foreground, and a woman reading beside an industrial port backdrop to the right. Denomination numerals "500" appear in guilloche cartouches at each corner, with the printer's imprint "Thomas De La Rue & Co. Ltd." at the foot of the design. An oval blank panel to the right serves as the watermark area. |
| 裏面の銘文 | DEPARTAMENTO DE EMISION DEL BANCO DE LA REPUBLICA ORIENTAL DEL URUGUAY QUINIENTOS PESOS (Translation: Issuing department of the Bank of the Oriental Republic of Uruguay Five hundred Pesos) |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banco de la República Oriental del Uruguay's 500-peso denomination was the highest value in regular circulation for much of the mid-twentieth century, and the 1939 law authorization remained the legal basis for successive printings well into the 1950s — a common Uruguayan practice of renewing note stocks under outdated statutory authority rather than issuing fresh legislation. Thomas De La Rue produced this series in London throughout that period, their long relationship with BROU predating this issue by decades.
At 500 pesos, these notes were substantial transactional instruments in a country where inflation was beginning to accelerate ahead of the more severe monetary pressures of the late 1950s.