Catalogus
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| Uitgever | Western Sahara |
|---|---|
| Jaar | 1995 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | KM#21 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin/Arabic |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | DE ATENAS A ATLANTA من اتينا الى اتلانتا ١٩٩٥ 1995 ١٩٩٦ 1996 |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Western Sahara has no functioning government mint, no sovereign currency, and no internationally recognized authority to issue coinage. These pieces were produced entirely for the collector market by private firms operating under licensing arrangements — the "issuer" designation is nominal at best. The Olympic wrestling theme has no particular connection to Western Saharan territory or its population.
KM#21 is one of several near-identical fantasy issues attributed to Western Sahara throughout the 1990s, all sharing the same production model.