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500 Mil Réis Thesouro Nacional, 1st print

Uitgever Thesouro Nacional
Jaar 1835
Type Log in om details te zien
Waarde 500 000 Réis (500 000)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Intaglio-printed in black on white paper by Perkins, Bacon & Petch, London. The left vignette carries the Arms of the Brazilian Empire, flanked at right by a finely engraved oval portrait medallion, while the central field is occupied by a panoramic view of the Baía de Guanabara as it appeared in the early 19th century. A text panel to the lower centre cites the authorising decree of 1 June 1833, with the denomination numerals 500 and the legend QUINHENTOS repeated across the upper and lower borders.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The reverse is unprinted, consisting of plain white paper with no engraving, lettering, or ornamental work.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Brazil's Treasury turned to Perkins, Bacon & Petch for this issue at a moment when the young empire had no domestic capacity for secure intaglio printing. Jacob Perkins had by the 1830s already revolutionized banknote engraving through his siderography process — steel-plate transfer technology that allowed identical, forgery-resistant replication at scale — and Brazilian authorities were among many overseas clients who contracted his firm precisely for that security advantage.

The "1st print" designation matters: subsequent printings of this 500 Mil Réis denomination exist, and the differences between print runs are subtle enough that misattribution is common in general collections.

MISSCHIEN OOK INTERESSANT