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500 Mil Réis State Bonus, Series F
| Uitgever | Estado do Rio Grande do Sul (State Treasury) |
|---|---|
| Jaar | 1934 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Real (1799-1942) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Black print on red and green guilloche underprint. An oval vignette at center frames a portrait of Senator Pinheiro Machado, with denomination numerals '500' in ornate guilloche panels to his left and right. The heading 'ESTADO DO RIO GRANDE DO SUL' arches across the top, 'SÉRIE F' appears at upper left, and the denomination legend 'QUINHENTOS MIL RÉIS' runs along the lower margin, flanked by 'BONUS' tablets at each corner. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Printed entirely in green. A central architectural vignette presents a perspective view of the Rio Grande do Sul State Treasury building, rendered with fine line engraving showing its neoclassical colonnade facade against a clouded sky. The inscription 'ESTADO DO' arches above the building in a banner, 'RIO GRANDE DO SUL' is set in bold lettering across the lower portion, and denomination numerals '500' appear in guilloche rosette panels at lower left and right within a heavily ruled border frame. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Rio Grande do Sul's parallel paper economy has deep roots. The state issued its own bônus do tesouro throughout the 1920s and into the 1930s partly as a practical response to chronic federal currency shortages in the far south, and partly as an expression of the fierce regional autonomy that made Gaúcho political culture so combustible during this period. Getúlio Vargas, himself a Gaúcho, had ridden that same current to federal power in 1930.
Lithografia da Livraria do Globo was Porto Alegre's most capable commercial printer but was never a security printing house in the strict sense — these bônus lack the intaglio work and anti-counterfeiting precision of federally issued paper.