カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Isometric architectural vignette of Diocletian's Palace in Split as it appeared in the 3rd century AD occupies the centre, rendered in fine intaglio line work over a light multicolour underprint with wave-pattern guilloche. A small engraved figure of an 11th-century Croatian ruler in relief stands at lower left. The large numeral 500 appears at lower centre in colour-shifting ink, with the denomination PET STOTINA KUNA set vertically at right, and the date and governor's signature in the upper right field. |
| 裏面の銘文 | 500 SPLIT, DIOKLECIJANOVA PALAČA III. ST. POSLIJE KRISTA PET STOTINA KUNA ZAGREB, 31. LISTOPADA 1993. GUVERNER PERO JURKOVIĆ NARODNA BANKA HRVATSKE LIK HRVATSKOG VLADARA , XI. ST. 500 |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Croatia's 1993 note series was printed under urgent conditions — the country had declared independence in 1991, the Homeland War was ongoing, and a functioning national currency was a political and logistical priority. G&D Leipzig supplied several denominations, with this being among the higher-value pieces in that initial kuna reintroduction. The kuna itself carried deliberate historical weight: it had last circulated under the wartime Ustaše government, a fact that provoked sharp criticism at the time of reintroduction from Serbian politicians and some international observers.
Miroslav Šutej was one of Croatia's most respected graphic artists, known internationally for his optical and kinetic work. His involvement gave the series a design pedigree unusual for emergency-era currency.