Catalogus
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| Uitgever | Norges Bank |
|---|---|
| Jaar | 1901-1944 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Oluf Wold-Torne |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Multicolour print combining blue, red, and green with a black intaglio centre vignette of Akershus Castle, the medieval fortress in Oslo, set within an elaborate guilloche frame. To the left of the central vignette appears the head of a Viking king, while to the right the Royal Arms of Norway are surrounded by the arms of the six Norwegian bishoprics: Christiania, Bergen, Hamar, Trondheim, Kristiansand, and Tromsø. The denomination is repeated in full across the upper and lower panels within ornate scrollwork borders. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | 1901 - 1916 - Hansen 1918-1932 - Cederholm 1936-1944 - Meldahl-Nielsen |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 500 Kroner is the highest denomination in the series that takes its informal name from the Norwegian historian and statesman Wilhelm Frimann Koren Christie. Early sheets were produced by Bradbury Wilkinson in England, but printing responsibilities shifted to Norges Banks Seddeltrykkeri in Christiania — later Oslo — at some point during the long issuance run. The design credit belongs to Oluf Wold-Torne, a painter better known for his landscapes than for banknote work, which was an unusual choice.
Three distinct signature combinations span the forty-three year run, reflecting successive changes in bank leadership. The Meldahl-Nielsen signed examples from 1936–1944 were current during the German occupation of Norway, which directly affected how these high-value notes circulated and were ultimately withdrawn.