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| 表面の説明 | Central vignette presents two allegorical figures: a seated woman holding a spool of thread with a potted flower at her feet, and a seated man wearing a knife at his belt with his arm around a nude child beside him. A stylized animal head appears within the design, and Czech text inscriptions are present in the border areas. The composition is rendered in an intricate intaglio style characteristic of early Czechoslovak state issues. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | P#12a - issued (genuine) note with real watermark with "Haček"-accent above "C" in "Č.187" in text on top on back P#12x - counterfeit by Professor Mészáros Gyula from Wetzelsdorf (Styria, Austria) with printed imitation of lattice pattern watermark on front missing "Haček"-accent above "C" in "C.187" in text on top on back (correct spelling: "Č.187") most forgeries have series 020, 021, 022, 023 & 026 |
| コメント |
This 500 Korun note was issued in the immediate aftermath of Czechoslovakia's creation as an independent state — the new republic had declared independence in October 1918 and urgently needed its own currency to replace the Austro-Hungarian krone still circulating on its territory. The provisional solution, used through much of 1919, was to overstamp existing Austro-Hungarian notes; purpose-designed issues like this one were part of the effort to establish a distinct monetary identity as quickly as printing capacity allowed.
P#12 was printed by the American Bank Note Company. A known characteristic of early Czechoslovak issues from this period is paper quality variation between print runs, worth examining closely on any example.