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500 Gulden 'Hollandia'
| Emittent | De Nederlandsche Bank |
|---|---|
| Jahr | 1930 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Gray-blue and multicolor note, with a portrait vignette of Stadhouder King William III positioned at the top center-right, and a detailed engraving of the sailing ship 'Hollandia' occupying the central field. The design, executed by Lion Cachet, integrates intricate guilloche underprint patterns with decorative borders characteristic of early twentieth-century Dutch intaglio printing. Three date varieties exist, all bearing a December 1930 issue date. |
|---|---|
| Vorderseitenlegende | AMSTERDAM 2 DECEMBER 1930 DE NEDERLANDSCHE BANK BETTALT AAN TOONDER VIJF HONDERD GULDEN LION CACHET FEC (Translation: Amsterdam, December 2, 1930 Bank of Netherlands Pay to the Bearer Five Hundred Gulden) |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Lion Cachet was a Dutch artist associated with the Symbolist movement and deeply influenced by Javanese batik — an unusual choice to design high-denomination currency, but De Nederlandsche Bank made a deliberate turn toward fine art printing in the interwar period. His work for the bank produced some of the most visually distinctive Dutch notes of the twentieth century, and this 500 Gulden was among the most ambitious.
Enschedé in Haarlem had been printing for the Dutch state since the eighteenth century, giving them an unmatched institutional relationship with DNB. The 'Hollandia' series was eventually withdrawn as wartime pressures changed everything — German occupation from May 1940 forced the bank into a drastically different monetary situation, and large-denomination prewar notes were quickly rendered obsolete.