Catalogus
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| Uitgever | Monnaie de Paris |
|---|---|
| Jaar | 1993 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | KM#1025.2, Fr#635a |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | BICENTENAIRE DU MUSÉE DU LOUVRE 1993 500 F |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The Vénus de Milo series was part of France's broader late-Soviet-era cultural diplomacy push, with the large module issued as a prestige collector piece rather than anything approaching circulation. The Fr#635a designation distinguishes this from the small module variant (Fr#635), both struck the same year — a split that occasionally trips up cataloguers who conflate the two under a single KM entry.
The sculpture itself had been a centerpiece of French national prestige since its 1821 acquisition, which involved a contested purchase from Ottoman-controlled Melos and a parallel negotiation that the French government has never fully declassified.