Catalogus
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| Uitgever | Banque de France |
|---|---|
| Jaar | 1831-1832 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Charles-Pierre-Joseph Normand |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse of this note has not been documented in available catalog sources for this type. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Watermark reading CINQ CENTS FRANCS — BANQUE DE FRANCE, visible when held to light. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The type 1831 500 Francs was the first major redesign of the Banque de France's highest circulating denomination after the upheaval of the July Revolution. Normand supplied the design and Galle — better known as a medallist and sculptor than a banknote engraver — handled the intaglio work, an unusual choice that reflects the period's blurred boundary between fine art commissions and currency production.
At 12,175,000 notes printed across just two years, the run was substantial. The watermark remained the sole security feature, as it had been since the Banque's earliest issues — a vulnerability that prompted persistent counterfeiting complaints throughout the July Monarchy period.