カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | Intaglio bust of Blaise Pascal at center, with the Tour Saint-Jacques (bell tower of Saint-Jacques-la-Boucherie) to the left and Notre-Dame-de-Prospérité in Clermont-Ferrand to the right. Denomination numeral "500" appears in both upper corners above a guilloche underprint, with "BANQUE DE FRANCE" across the top. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The 500 Francs Pascal had one of the longest production runs of any modern French note — nearly two decades out of the Chamalières facility, which the Banque de France had operated since 1923 specifically to maintain inhouse control over security printing. The "head-to-tail" designation in the watermark classification distinguishes this type from the earlier single-orientation watermark issues; a minor technical refinement, but one that collectors use to separate the series into distinct subgroups.
Fontanarosa's design, rendered in intaglio by Armanelli and Durrens, honored Blaise Pascal — mathematician, physicist, religious philosopher — an unusual choice for a circulation note, given that French banknote portraiture had long favored artists and statesmen over scientists. Pascal had been lobbied for inclusion since at least the 1950s.