500 Francs CFA Monetary Union, Essai

発行体 Western African States
年号 1972
種類 Coin pattern
額面 500 Francs CFA
通貨 CFA franc (1958-date)
材質 Silver (.900)
重量 25 g
直径 37 mm
厚さ 3 mm
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Raymond Joly
流通終了年
参考文献 KM#E7
表面の説明 Sawfish
表面の文字体系 Latin
表面の銘文 BANQUE CENTRALE DES ETATS D`AFRIQUE DE L`OUEST 1 NOVEMBRE 1962 1 NOVEMBRE 1972 ESSAI RJ
(Translation: Central Bank of [the] West African States 1st November 1962 1st November 1972 Trial)
裏面の説明 Denomination; coats of arms
裏面の文字体系 Latin
裏面の銘文 HAUTE-VOLTA MAURITANIE NIGER SENEGAL TOGO COTE D`IVOIRE DAHOMEY 500 FRANCS 1972
(Translation: Upper Volta Mauritania Niger Senegal Togo Ivory Coast Dahomey)
Reeded
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1972 - - 1 300
Numisquare ID 2577795500
追加情報

Historical Context: Issued in 1972, this 500 Francs CFA Essai from the Western African States signifies a pivotal post-colonial era. While individual nations gained independence, the CFA Franc Monetary Union represented a continued commitment to regional economic integration and monetary stability, linked to the French franc. This Essai, a test strike, reflects an exploration of new monetary expressions and the assertion of a collective identity for member states within the West African Economic and Monetary Union (UEMOA).

Artistry: The specific engraver for this Essai (KM#E7) is unrecorded, but the design reflects the prevailing numismatic aesthetic, often by Monnaie de Paris artists. Stylistically, it likely blends classical allegorical representations, such as a symbolic head embodying Union ideals, with motifs of West African agriculture or industry on the reverse. Common elements include local produce or a regional map, emphasizing economic unity. Essais often permitted more intricate designs than standard circulation issues.

Technical/Grading: Struck in .900 fine silver (25 grams, 37 mm), this Essai typically exhibits superior strike quality. High-points for grading include intricate details of any allegorical figure's hair/headdress, and delicate textures of agricultural motifs or geographical lines. Essais are often struck with enhanced pressure, yielding a full, sharp strike with crisp legends. Collectors should seek a strong proof-like or matte finish, minimal planchet imperfections, and no wear, as these pieces were not for circulation.

×