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| 表面の説明 | ログイン して詳細を見る |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | አምስት መቶ ፍራንክ ٥٠٠ ፭ ፻ خمسمائة فرنك L`ARTICLE 139 DU CODE PENAL PUNIT DES TRAVAUX FORCÈS A PERPETUITE CEUX QUI AURONT CONTREFAIT OU FALSIFIÉ LES BILLETS DE BANQUE AUTORISÉE PAR LA LOI AINSI QUE CEUX QUI AURONT FAIT USAGE DE CES BILLETS CONTREFAITS OU FALSIFIÉS. CEUX QUE LES AURONT INTRODUIT SUR LE TERITTOIRE FRANÇAISE SERONT PUNIT DE LA MÊME PEINE G. FRAIPONT FC RITA SC (Translation: Five hundred francs. 500. Article 139 of the penal code punishes with forced labor for life those who have counterfeit or falsified banknotes authorized by law as well as those who have made use of these counterfeit or falsified notes. Those who had introduce them on French territory will be punished with the same punishment.) |
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| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | Polynesian woman's head. |
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During the Japanese occupation of French Indochina, Vichy authorities retained nominal control of the colonial banking apparatus, and the Banque de l'Indo-Chine continued issuing currency with plates printed in metropolitan France — a logistical absurdity that grew increasingly untenable as the war progressed. The "B.I.C." overprint on this note was applied to distinguish reissued stock from earlier circulation, a stopgap measure reflecting the bank's constrained position between Japanese military demands and collapsing supply chains from Paris.
Gaspérini's engraving work on the obverse is among the finer intaglio examples in the colonial French series. Marguerite Dreyfus, who signed reverse work under "Rita," contributed to several Banque de France commissions of the period.