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| 正面描述 | Red and pink intaglio-printed note with dense guilloche borders framing the entire face. An oval portrait vignette at left centre shows a young woman in period dress with an elaborate coiffure, rendered in fine engraved line work. The trilingual bank title — in German, Italian, and French — is set across the upper register, with the denomination in large numerals at the upper corners and centre, the authorising law date, serial number, place and date of issue, and three manuscript signature lines arranged across the lower half. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | Watermark incorporated into the paper substrate. |
| 变体 | 登录 以查看详情 |
| 备注 |
Eugène Burnand was primarily a painter — a Vaudois artist known for large-scale religious and peasant scenes — an unusual choice to design a high-denomination banknote, and his involvement here reflects the SNB's early determination to treat its inaugural series as a cultural statement rather than a purely technical exercise. Waterlow & Sons executed the engraving in London; the credited engraver "Drummond" was a house engraver at the firm.
With three distinct date series across 1910, 1914, and 1917, and multiple signature combinations per date, the number of distinct varieties is considerable. The 1917 dates coincide with wartime currency pressure in Switzerland, when hoarding of coin and nervous demand for high-denomination notes both spiked.