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500 Francs
| Uitgever | Trésor Public - Territoire Français des Afars et des Issas |
|---|---|
| Jaar | 1975 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 140 × 75 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Multicolour intaglio print on multicolour underprint. The composition centres on a dhow under sail, with a close-up vignette of the vessel's bow at right lending depth to the maritime scene. Bilingual legends in French and Arabic appear within the design. |
| Opschrift keerzijde | ۵۰۰ 500 TERRITOIRE FRANÇAIS DES AFARS ET ISSAS 500 TRÉSOR PUBLIC CINQ CENTS FRANCS SERONT PUNIS DE TRAVAUX FORCÉS LES CONTREFACTEURS ET CEUX QUI AURONT FAIT USAGE DE BILLETES CONTREFAITS (Translation: 500. French Territory of Affars and Issas. Public treasury. Five hundred francs. The counterfeiters and those who will have used counterfeit notes will be punished with forced labor.) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Territoire Français des Afars et des Issas was the colonial name applied to the territory between 1967 and independence in 1977, when it became Djibouti. This note was issued in the final years of French administration, during a period of mounting internal pressure for independence and a 1975 UN resolution calling on France to decolonize. The Trésor Public, rather than a local issuing bank, controlled the currency — a deliberate arrangement that kept monetary authority firmly in Paris.
Chéri Hérouard handled both the reverse design and the obverse engraving, an unusual dual credit that suggests close coordination between the artistic and technical phases of production at the Banque de France atelier.