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500 Francs
| Uitgever | Caisse Centrale de la France d'Outre-Mer |
|---|---|
| Jaar | 1947 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 180 × 96 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Multicolour intaglio and letterpress printing with dark blue text and numerals. The central vignette to the right presents a Martinican woman and a Guadeloupean woman in traditional dress posed before the harbour of Pointe-à-Pitre. Two black overprints reading 'LA RÉUNION' appear on the note, along with the serial numbering and signature in black. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Multicolour printing centred on a vignette of bullock carts laden with sugar cane, evoking the agricultural economy of Réunion. At the lower portion of the note, Article 139 of the Penal Code — the standard anti-counterfeiting warning — is printed within a yellow cartouche. The 'LA RÉUNION' overprint appears in black. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Caisse Centrale de la France d'Outre-Mer was established in 1944 to handle monetary affairs across France's overseas territories in the immediate postwar reorganization — a deliberate separation from the Banque de France proper, which had been compromised by its role during the Occupation. This 500 Francs note circulated across multiple distinct territories under the same issuing authority, which is why P#46 turns up in collections associated with everything from French Guiana to Réunion.
Clément Serveau was a prolific designer for French colonial currency; Beltrand's engraving work on the obverse is characteristically fine-line and restrained. Hourriez handled the reverse. The Banque de France printed the series despite the CCFOM's institutional independence from it.