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| 表面の説明 | At centre-left, a large ornate guilloche rosette encloses the denomination numeral '500' in bold, with a red serial number above and a black serial number below. To the right, an intaglio portrait of a distinguished gentleman in period dress is set within a dotted circular frame. A Corinthian column vignette occupies the far left, and the bank title ΕΘΝΙΚΗ ΤΡΑΠΕΖΑ ΤΗΣ ΕΛΛΑ[ΔΟΣ] runs along the upper margin. Three manuscript signatures appear along the lower portion of the note, with the imprint of the American Bank Note Company at bottom right. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is dominated by a large intaglio vignette of the Hagia Sophia in Constantinople, rendered with fine landscape detail including trees and sky. To the right, an ornate decorative panel incorporates a Corinthian capital column motif with the denomination '500' appearing twice in guilloche frames at upper right and lower right. The bank title ΕΘΝΙΚΗ ΤΡΑΠΕΖΑ ΤΗΣ ΕΛΛΑΔΟΣ runs along the upper border, and the imprint AMERICAN BANK NOTE COMPANY appears at the bottom centre. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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This note belongs to a transitional period in Greek monetary administration — the National Bank of Greece was still acting as the country's central issuing authority in 1926, a role it would formally lose two years later when the Bank of Greece was established under the terms of the 1927 Geneva Protocol and League of Nations supervision.
The "cut note" designation refers to a bisect practice used to address acute small-denomination shortages: authorized cuts of higher-value notes were officially validated for use at fractional face value. The American Bank Note Company's intaglio work on this series is among the finer printing contracted by Greek authorities in the interwar period.