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| Emittent | Banque Nationale du Rwanda |
|---|---|
| Jahr | 2012 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Medal alignment ↑↑ |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | BANKI NKURU Y`U RWANDA REPUBLIKA Y`U RWANDA UBUMWE - UMURIMO - GUKUNDA IGIHUGU AMAFARANGA 500 MAGANA ATANU (Translation: Central Bank of Rwanda. Republic of Rwanda. Unity, work, patriotism. Five hundred francs.) |
| Reversbeschreibung | A highly sculpted, three-dimensional red-gold-plated dragon rendered in the East Asian tradition occupies the central field, its coiled body rising dramatically in high relief against a lobed cartouche bearing repeated Chinese characters and a central longevity (shou) medallion. The dragon clutches a flaming pearl beneath its body, rendered with fine scale detail throughout. The legend YEAR OF THE DRAGON arcs along the upper periphery in stylised lettering, with the date 2012 inscribed in the lower field. The surrounding flat field is finished in proof-like silver, providing strong contrast to the copper-toned sculptural centrepiece. |
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| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Rwanda's entry into the Chinese lunar commemorative market was a calculated licensing play — by the early 2010s, the country had become one of the more active African issuers of novelty bullion aimed squarely at Asian collector markets, with virtually no connection to domestic circulation. This piece was minted by B.H. Mayer's Kunstprägeanstalt in Munich, a facility responsible for a significant share of the African-licensed lunar series flooding the market during this period.
The red gold effect is achieved through selective electroplating of rose-tinted gold over fine silver substrate — a finish that degrades noticeably with handling.