目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Stylised modernist portrait bust of the Polish composer Fryderyk Chopin facing right, occupying the majority of the field, rendered in a bold linear art style with deeply incised contour lines evoking an expressionistic aesthetic. The background features abstract, wave-like or flame-like motifs suggestive of musical dynamism. The legend 'FRYDERYK CHOPIN' runs along the right periphery in an arc, with the word 'PRÓBA' (meaning 'trial' or 'pattern') inscribed in the lower right field, identifying this piece as a pattern strike. The engraver's initials appear at the lower left rim area of the field. |
| 背面文字 | Latin |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Polish proof and trial strikes of the early 1970s occupy a peculiar corner of communist-era numismatics. The NBP authorized experimental strikings in varied alloys and finishes before committing to circulation or collector issues — this .750 silver trial being one such pre-production test. The standard business strike of the Chopin 50 Złotych was issued in copper-nickel for general circulation; silver trials like this one were never released publicly and exist in very small numbers.
The Fischer and ParMan references both catalog this as a confirmed trial, not a pattern proper — a distinction that matters for attribution.