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50 Soles de Oro Overprinted on P#54

Uitgever Banco Central de Reserva del Peru
Jaar 1935
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Sol (1863-1985)
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Black intaglio on blue guilloche underprint. A central vignette of elaborate lathe-work surrounds a large numeral '5', flanked by denomination numerals in each corner within ornate frames. To the right, an intaglio vignette portrays a young shepherdess holding a lamb, with sheep at her feet amid foliage. The bank title 'BANCO DE RESERVA DEL PERU' arches across the top, with 'PAGARA AL PORTADOR' below, serial numbers printed in red, and the denomination 'CINCO LIBRAS PERUANAS DE ORO' in a bold panel at the base, dated Lima, 11 de Agosto de 1926.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde BANCO DE RESERVA DEL PERU CINCO LIBRAS PERUANAS DE ORO Banco Central de Reserva del Peru Cincuenta Soles Oro
(Translation: Reserve Bank of Peru Five Libras Peruanas de Oro Central Reserve Bank of Peru Fifty Soles Oro)
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Pick 62 is a product of Peru's early 1930s fiscal turbulence — specifically the gap between when the Banco Central de Reserva needed higher-denomination notes in circulation and when new plates could be prepared and delivered from ABNC in New York. Rather than wait, existing 50 Soles stock from the Pick 54 series was overprinted to alter its authorization or series designation, a stopgap common enough in Latin American banking of the period but rarely pretty in execution.

The overprint itself is the collecting point here. Alignment and ink saturation vary considerably across surviving examples, a known characteristic of the series.

MISSCHIEN OOK INTERESSANT