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50 Roubles Belarusian Batleyka
| Emittent | National Bank of the Republic of Belarus |
|---|---|
| Jahr | 2023 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 50 Roubles |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | РЭСПУБЛІКА 50 БЕЛАРУСЬ РУБЛЁЎ Ag 925 (Translation: REPUBLIC OF 50 BELARUS ROUBLES Ag 925) |
| Reversbeschreibung | The reverse depicts the upper tier of a batleyka puppet theatre in relief, presenting a biblical Nativity scene as its central subject. At the apex of the composition, a stylized Christmas star incorporating an inlaid synthetic crystal element serves as a focal point, capturing and refracting light. To either side of the theatre structure, the Three Magi are shown in procession, bearing gifts toward the infant Jesus. The Cyrillic inscription 'БАТЛЕЙКА' appears within the composition, identifying the commemorative theme of the issue. |
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| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Batleyka is Belarus's traditional puppet theater tradition, descended from the Polish-Lithuanian Commonwealth's traveling box theaters of the 17th and 18th centuries. The form survived Soviet attempts to suppress or secularize it, and it remains one of the more stubbornly persistent folk art forms in the country. This coin is part of the National Bank's long-running commemorative program documenting Belarusian intangible cultural heritage — a series that has grown substantially since independence in 1991 as the state has invested in codifying national identity distinct from Russian cultural framing.
The partial gilding on issues in this program is applied selectively to individual design elements rather than as a blanket wash, a production choice that has become a house style for the series since the early 2000s.