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| Emittent | Bank Melli Iran |
|---|---|
| Jahr | 1951 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Second Rial (1932-date) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The central intaglio vignette renders the ruins of the Palace of Darius (Tachara) at Persepolis, with tall standing columns and bas-relief procession friezes along the staircase base against a distant mountainous terrain, all executed in fine line engraving. A Persian inscription below the vignette identifies the site, while the denomination numeral '50' appears at lower left and lower right. The legend 'RIALS 50' in Latin characters runs across the bottom margin, all contained within a guilloche border of geometric and floral motifs. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Bank Melli Iran had been issuing notes since 1932, but the early 1950s brought acute political pressure that complicated everything — this note circulated during the period surrounding Mossadegh's oil nationalization crisis, when public confidence in Iranian institutions, including the central bank, was sharply contested. De La Rue's London production continued uninterrupted through those years, insulating the physical printing process from the domestic turbulence.
Pick 56 belongs to a series that ran across several denominations with minimal design revision, making date and signature combinations the primary differentiators for specialists. The watermark remains the only security feature — no security thread, no latent image.