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50 Pfennig Verkehrsverein
| Uitgever | Verkehrsverein Lüneburg |
|---|---|
| Jaar | 1921 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Mark (1914-1924) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The central vignette presents a dramatic line-engraved scene set within a vaulted interior, showing armed figures in medieval dress during the ambush of Henneberg in the Blauer Turm, rendered in dark brown ink on a cream ground. Circular denomination medallions reading '50 pf' in orange-red and dark brown are placed symmetrically at left and right within elaborate gold floral corner ornaments on a dark ground. The top panel carries the bold gothic title 'Lüneburgs' and the lower panel reads 'Sülfmeisterzeit 1400–1500' in matching gothic script. |
| Opschrift keerzijde | Lüneburgs 4. Henneberg wird in den Blauen Turm gelockt und überfallen Sülfmeisterzeit 1400 / 1500 50 pf |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Verkehrsverein Lüneburg — a local tourist and commerce association — was among the hundreds of German civic bodies that stepped in to fill the acute small-denomination shortage of 1921, when federal coinage had effectively disappeared from circulation through hoarding and metal scarcity. These association-issued Notgeld notes occupied a peculiar legal gray zone: not state money, not bank money, but accepted locally by social pressure and practical necessity.
Gustav Peters was a Lüneburg printer, and F. Rahnke's design credit suggests local production without any outside contract house involved — an entirely self-contained municipal improvisation.