Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Sonneberg (Thuringia), City of |
|---|---|
| Year | 1922 |
| Type | Local banknote |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Sonneberg : Thür. / Not-Geld / 50 Pfennig / Magistrat: / Gemeinderat: / Gültig bis 1. Juli 1922 / Thür. Verlagsanstalt G.m.b.H. Jena (Translation: Sonneberg : Thuringia / Emergency Money / 50 Pfennig / Magistrate: / Municipal Council: / Valid until 1 July 1922 / Thuringian Publishing House G.m.b.H. Jena) |
| Reverse description | Log in to see details |
| Reverse lettering | Im Musterzimmer / D' Nußknacke als Hauptma spricht: / Bei mir herrscht Ordnung beschtesta mich! (Translation: In the Model Room / The Nutcracker as the main captain says: / There is order with me, you'd better believe it!) |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
Sonneberg, in the Coburg district of southern Thuringia, was the center of Germany's toy manufacturing industry — dolls, marionettes, and mechanical figures had been produced there for generations. This 50 Pfennig Notgeld note is one of six in the Puppetry Series Issue A, a deliberate piece of local identity advertising dressed up as emergency currency during the hyperinflationary spiral of 1922.
Thüringische Verlagsanstalt in Jena handled printing for a large number of Thuringian municipal Notgeld issues in this period, producing relatively high-quality multicolor work on short runs that were often collected rather than spent — a revenue strategy many small municipalities exploited openly.
The six-piece series structure (1/6 through 6/6) was calculated to encourage complete-set collecting, keeping notes out of circulation and the redemption fees in municipal coffers.