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| Emittent | Kahla (Thuringia), City of |
|---|---|
| Jahr | 1921 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | 107 × 71 mm |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Colourful letterpress vignette framed by an ornamental border of fir branches with red pine cones in each corner. At centre, the Thuringian heraldic shield in blue and white bears a red and white striped lion passant; flanking the shield are large Gothic numeral '50' denominators left and right. A small rectangular vignette at the lower centre shows a distant view of Leuchtenburg castle on its hilltop. Issue date 'Leuchtenburg-Saale, 15 Juni 1921' and the manuscript signature of the Burgwirt Georg Ohage appear at lower right. |
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| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | No watermark |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Kahla's third Leuchtenburg issue is one of a cluster of Thuringian notgeld series that used local castle imagery as a vehicle for what amounted to collector-driven printing — by 1921, municipalities knew full well that most of these small-denomination pieces would never see a cash register. The Ehrenburg at Plaue, a Renaissance palace on the Regnitz, is a reasonable geographic stretch for a Kahla issue, which sits some distance away in the Saale valley.
J. P. Himmer in Augsburg printed a substantial volume of notgeld for various German municipalities during this period. The watermarked paper is one of the few concessions to genuine currency practice in a series that was largely a philatelic enterprise from the outset.