Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Stadt Arnstadt (City of Arnstadt, Thuringia) |
|---|---|
| Jaar | 1921 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Blue and red letterpress Notgeld note with a fine wavy-line guilloche underprint. The large denomination numeral '50' in blue is centered, overlaid by the Arnstadt civic eagle vignette in dark red. The Gothic-script legend 'Notgeld der Stadt Arnstadt' arcs across the top, with 'Pfennig' and the year '1921' below the eagle. Validity clause 'Gültig bis 1 Monat nach Aufruf' appears at lower left, the serial number and letter prefix at lower right, accompanied by a manuscript signature. The designer's name 'A. PAUL WEBER' is printed in the bottom margin. |
|---|---|
| Opschrift voorzijde | Notgeld der Stadt Arnstadt 50 Pfennig 1921 Gültig bis 1 Monat nach Aufruf a |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Arnstadt's 1921 Notgeld series was designed by A. Paul Weber, later far better known as a graphic artist and lithographer whose satirical work under the Third Reich would land him in Gestapo custody in 1937. In 1921 he was still a relatively young commercial artist, and the Arnstadt commissions show the tight, expressionist linework that would define his mature style. The series framed local history through specific years — this issue anchoring its imagery to 1635, deep in the Thirty Years' War, when Thuringia was among the most devastated regions in the German-speaking world.