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50 Pfennig

Uitgever Stadt Quedlinburg (City of Quedlinburg)
Jaar 1922
Type Log in om details te zien
Waarde 50 Pfennigs (50 Pfennige) (0.50)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde The central vignette presents a dramatic silhouette of the Quedlinburg skyline — dominated by the twin spires of the collegiate church atop the castle hill — set against radiating sunbeams emanating from a circular monogram at upper centre. Flanking the central panel are two vertical cartouches, each bearing the denomination '50 PFENNIG' and the validity dates 'GÜLTIG 22.–23. APRIL 1922' with a manuscript signature below; the lower corners carry, at left, a gilt eagle arms and the year '922', and at right, the city's crossed-keys heraldic shield and the year '1922'. A decorative foliate border runs across the top, and the printer's imprint 'H. MEYERDING QUEDLINBURG' appears at lower right.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The central vignette presents a detailed cross-hatched view through an arched Gothic portal, identified at upper left as 'Rathaus', rendered in a fine woodcut-style technique with strong contrasts of black and white. Flanking the central scene are two vertical side panels with a teal bubble-pattern underprint, each bearing the denomination '50 PF' in white lettering within a dark banner, overlaid on silhouette figures of medieval townspeople. The designer attribution 'Gez. von Fenzlau' appears at upper right.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Quedlinburg's 1922 Notgeld series belongs to the final wave of German municipal emergency currency before federal stabilization efforts collapsed entirely into hyperinflation. Stadt Quedlinburg contracted H. Meyerding locally — an unusual choice, since most towns of comparable size farmed their Notgeld printing to larger specialist houses in Leipzig or Berlin. Designer Fenzlau's involvement suggests this was a deliberate civic commission rather than a rushed stopgap, though "Fenzlau" remains poorly documented in the Notgeld literature.

Quedlinburg's Ottonian abbey history made it a popular subject for decorative Notgeld series aimed partly at collectors, a practice that was already undermining the currency's practical function by 1921–22.

MISSCHIEN OOK INTERESSANT