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50 Pfennig

Uitgever Stadt Quedlinburg (City of Quedlinburg)
Jaar 1922
Type Log in om details te zien
Waarde 50 Pfennigs (50 Pfennige) (0.50)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
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In omloop tot Log in om details te zien
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Beschrijving voorzijde The obverse is printed in red, black, and grey, with an ornate foliate and ribbon border. At the top, a Gothic script legend in red announces the note as a Jubiläums-Gutschein issued for the 1000th anniversary of the city of Quedlinburg. A central oval vignette presents a panoramic view of the town skyline with figures in festive costume in the foreground, while to the left a female figure in traditional dress holds a garland and to the right a uniformed herald holds a proclamation scroll bearing the denomination and validity dates of 22–23 April 1922. A caption in Gothic script at the foot reads 'Es grüßen die lustigen Münzenberger', and the printer's imprint 'H. Meyerding Quedlinburg' appears below the border.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde 50
Pfennig
50
Pfennig
Die Jugend kommt herbei im Lauf,
Und alle Fenster fliegen auf.
Ein jeder, hat er auch Verdruß,
Erfreut sich an dem Kunstgenuß.
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
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Opmerkingen

Quedlinburg's 1922 Notgeld issue was printed locally by H. Meyerding, which was common practice for smaller municipalities during the hyperinflationary spiral that made centrally issued coinage functionally useless almost overnight. By 1922, the Reichsbank had lost any practical ability to supply small-denomination coins to provincial towns, forcing hundreds of German cities to commission their own emergency scrip — legally tolerated but technically unauthorized.

Quedlinburg itself had strong historic footing as a former imperial residence city, which local authorities sometimes leaned into when commissioning Notgeld designs, making these issues attractive to contemporary collectors — a secondary market that some towns actively exploited by printing more than circulation actually required.

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