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| 表面の銘文 | Fünfzig Pfennig De Gudskin djilt ip Lunn as It helpdjil bit he in risem wart. De Dehrstand fan de Halünder Spörkas. HEINZ SCHIESTL BRUCK: A. SCHWARZ LINDENBERG ALLGÄU. |
| 裏面の説明 | The reverse carries a large central landscape vignette of the distinctive red sandstone cliffs of Helgoland rising steeply from the sea, with a small sailing vessel in the foreground and clouds above, signed "Nathurn" in the lower right corner of the scene; flanking botanical borders of stylised vegetation frame the vignette on both sides within a double-ruled rectangular border. The heading "Insel Helgoland" is printed in bold red Gothic lettering across a decorative panel at the top, while the denomination numeral "50" appears in large red characters within ornamental cartouches at lower left and right. A three-line inscription in Helgolandic Frisian dialect occupies a ruled text panel along the lower edge. |
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| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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Helgoland's Notgeld issues are among the more collectible of the early Weimar period, not least because the island's geographic isolation gave its emergency currency a distinctly local character that mainland municipal issues rarely achieved. The 50 Pfennig of 1921 was printed by J. Adolf Schwarz in Lindenberg im Allgäu — a small Allgäu print shop that handled Notgeld contracts for numerous municipalities during the 1919–1922 wave, when coin shortages pushed hundreds of German local authorities into issuing their own scrip.
Heinz Schiestl, a Würzburg-based graphic artist with strong ties to the German Arts and Crafts movement, designed several Notgeld series during this period. His work is recognizable for its woodcut-influenced linework.