See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

50 Pfennig

Issuer Stadt Osterfeld in Westfalen (City of Osterfeld in Westphalia)
Year 1921
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Gebrüder Jänecke, Druck- und Verlagshaus, Hannover, Germany
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering Log in to see details
Reverse description The reverse is printed in the same dark brown, green, and red color scheme, with identical Art Deco side panels bearing the numeral '50' and 'PFENNIG' at the corners. The central vignette illustrates a scene from the legend of Burg Vondern, rendered in an expressionist woodcut style: three armed figures in medieval dress stand in the background, while a kneeling figure in a white garment occupies the foreground, evoking a scene of supplication or judgment. The printer's imprint appears in small type at the lower right margin below the border.
Reverse lettering STADT · OSTERFELD I/W.
PFENNIG
50
DIE · SAGE · VON · BURG · VONDERN ·
GEBRÜDER JÄNECKE, DRUCK- UND VERLAGSHAUS, HANNOVER.
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Osterfeld — a small industrial town in the Ruhr, better known for coal and steel than for currency design — was among the thousands of German municipalities forced into producing Notgeld when postwar inflation and coin hoarding stripped everyday commerce of functional small change. The commission to Josef Dominicus of Paderborn for the artwork is the distinguishing detail here; Dominicus was a working graphic artist rather than a house designer, and his involvement suggests the town made at least a minimal effort at aesthetic quality rather than defaulting entirely to the printer's stock imagery.

Gebrüder Jänecke in Hannover handled a substantial volume of municipal Notgeld work in this period.

YOU MAY ALSO LIKE