カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Lighter-ground reverse printed in black and red, with a large central rectangular vignette containing a bold black silhouette of a medieval warrior bearing sword and lance, a church steeple visible in shadow at the base. The denomination '50' appears in red in each of the four corners within scallop-bordered cartouches, and two blocks of Gothic-script verse text are set to the left and right of the central vignette. '50 Pfennig' in large Gothic lettering occupies the lower corners. |
| 裏面の銘文 | 50 50 Pfennig Auf der ganzen Vogelwies' sah man nichts als Schwert und Spieß an die Hunderttausend |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Naumburg an der Saale was among hundreds of German municipalities that began issuing Notgeld in earnest after 1919, when chronic small-change shortages — partly caused by hoarding of metal coinage and the Reichsbank's inability to keep denominations in circulation — forced local governments to print their own. The 50 Pfennig denomination was the workhorse of this system, used for everyday transactions that federal currency simply couldn't service.
A. Schwarz of Lindenberg im Allgäu printed for numerous municipal clients across this period, a small Bavarian firm that found steady business in the Notgeld boom. Most issues from this printer are competently produced but not among the more elaborately designed collector pieces the era generated.