Catalogus
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50 Pesos
| Uitgever | Banco Nacional de Cuba |
|---|---|
| Jaar | 1961 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | 1 May 2002 |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Oval portrait vignette of Calixto García Iñiguez at center, with his name inscribed below the portrait; face value rendered in letters to each side and the issuer's title across the top. The note is printed in violet with serial numbers in red, over a fine guilloche underprint. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Central allegorical vignette commemorating the nationalization of foreign enterprises on 6 August 1960, with the names of expropriated companies including United Fruit and Esso incorporated into the design. The country name appears across the top, and the face value is expressed in both numerals and letters on either side. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 1961 Cuban 50 Pesos was printed by Státní Tiskárna Cenin (STC) in Prague — a direct consequence of the revolution's break with Washington and the subsequent U.S. trade embargo, which cut Cuba off from the American Bank Note Company and other Western security printers it had previously relied upon. The shift to Czechoslovak printing was part of a broader realignment with the Eastern Bloc that reshaped Cuban institutions almost overnight.
STC had considerable experience printing currency for socialist states and produced the note to high intaglio standards. This is one of the earlier issues in the post-revolutionary series before the Banco Nacional itself was absorbed into state monetary mechanisms restructured through the 1960s.