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50 Pence - Charles III A Robin in a Spruce Tree; Colourised
| Uitgever | States of Guernsey |
|---|---|
| Jaar | 2025 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Coloured, Milled |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A vividly colourised European robin (Erithacus rubecula) is depicted perched on a snow-dusted spruce branch in the centre of the field, its distinctive orange-red breast rendered in full selective colour print. The background features a wintry scene with snow-covered trees and a wooden fence, also applied in colour. The denomination legend 'FIFTY PENCE' arcs along the upper periphery in raised capital letters, appearing in uncoloured relief against the colourised field. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Guernsey operates as a Crown Dependency with its own currency authority, issuing coins that are legal tender on the island but not in the United Kingdom — a distinction that shapes these pieces almost entirely toward the collector market from inception. The 2025 Christmas series continues a long-standing Guernsey practice of issuing themed holiday 50 pence pieces with applied colour, a format that has run in various iterations since the early 2000s.
Selective colour printing on cupro-nickel blanks is applied after striking, not during — meaning the colour layer sits on the surface and remains vulnerable to handling in a way the underlying relief is not.