Catalogus
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| Uitgever | Banco do Brasil |
|---|---|
| Jaar | 1930 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Real (1799-1942) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Printed predominantly in red in intaglio. A central panel carries a scenic vignette of the Canal do Mangue (Mangrove Channel) in Rio de Janeiro, flanked by the issuing bank title and the printer's imprint. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | P#119a - issued note |
| Opmerkingen |
The Banco do Brasil's second printing of this note came through the American Bank Note Company at a turbulent moment: the 1930 revolution that brought Getúlio Vargas to power in October of that year effectively suspended constitutional government and reshuffled the entire federal financial apparatus. Notes already in circulation or in transit from New York faced a changed institutional world upon arrival.
ABNC's involvement with Brazilian federal paper was long-standing by this point, and the second print is distinguishable from the first primarily through subtle plate differences and serial number ranges rather than any overt design change — a distinction that still trips up collectors who rely on visual inspection alone.