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50 Livres
| Uitgever | Banque de Syrie et du Liban |
|---|---|
| Jaar | 1945-1950 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central vignette of a Lebanese city view, likely Beirut, rendered in intaglio with architectural structures set against a hillside landscape, flanked by ornate floral guilloche panels in pale tones. Denomination numerals "50" appear in the upper corners alongside Arabic script, with additional Arabic text including date and official signatures at centre. The lower portion carries large Arabic denomination lettering within a decorative border framework. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | خمسون ليرة لبنانية بنك سوريا وليبنان 50 LIVRES SEB. LAURENT FEC. HOURRIEZ SC. |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Banque de Syrie et du Liban was a French concessionary institution — privately held under a concession from the French government — that retained its role as currency authority through the mandate period and into formal independence. By 1945, both Syria and Lebanon had technically achieved recognized independence, yet this note was still being issued by a French-chartered bank, printed in Paris by the Banque de France. That institutional inertia was politically loaded and deeply resented, and it persisted until Lebanon established the Banque du Liban in 1964.
Beltrand came from a distinguished French engraving family; his work on the obverse plate is characteristic of the Banque de France's interwar and postwar house style.