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| Emittent | Italy |
|---|---|
| Jahr | 1907 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | 16.2 g |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Latin |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | A seminude allegorical female figure personifying Italy is seated facing left in a relaxed pose, her head crowned with wheat ears and her body partially draped. She leans against a tree trunk to the right while sheaves of wheat are arranged in the central field before her. In the left background, a detailed seascape depicts sailing ships and a steamship, symbolizing Italian maritime commerce. The denomination 'LIRE 50' appears in a central tablet in the lower field, flanked by two small decorative putti, with 'PROVA' (proof/pattern) and the date '1907' inscribed along the lower exergue, and the engraver's initials 'S.J.' (Stefano Johnson) to the right. The arc legend 'REGNO D'ITALIA' runs along the upper periphery within a beaded border. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Italy's 1907 gold coinage program was caught between competing reform pressures — the Latin Monetary Union's constraints on member-state denominations and domestic calls to rationalize a circulation system still cluttered with pre-unification survivals. This 50 Lire pattern was struck at Rome as part of that evaluation process, never advancing to regular issue. The Pagani reference places it among a small cohort of Piastrino-weight patterns from the same period, most surviving in handful quantities across institutional and private collections.