| Descripción del anverso |
- on the central part – the Coat of Arms of the Republic of Moldova; - on the upper part - figure `2000`; - on the bottom part -the inscription `50 LEI`; - following the coin circumference– the inscription `REPUBLICA MOLDOVA` is engraved in block letters. |
| Escritura del anverso |
Latin |
| Leyenda del anverso |
2000 REPUBLICA MOLDOVA 50 LEI |
| Descripción del reverso |
- on the central part -the image of the monastery and parts of landscape stand out; - on the upper part , following the coin circumference- the inscription `MĂNĂSTIREA TABĂRA ` is engraved in block letters. |
| Escritura del reverso |
Latin |
| Leyenda del reverso |
MĂNĂSTIREA TABĂRA |
| Canto |
Plain |
| Casa de moneda |
|
| Tirada |
2000 - Proof - 1 000
|
| ID de Numisquare |
2264169200 |
Historical Context: Issued in 2000, this 50 Lei coin from Moldova emerged during a critical period of national identity formation for the newly independent republic, which gained sovereignty in 1991. The selection of Tabăra Monastery for commemoration underscores a broader governmental effort to celebrate and solidify Moldovan cultural heritage and religious traditions in the post-Soviet era. Such issues served as tangible reminders of the nation's rich history and spiritual roots, distinct from its recent past.
Artistry: While the specific engraver is not publicly attributed, the design likely originated from the National Bank of Moldova's internal team, reflecting a modern commemorative stylistic school. The reverse prominently features a detailed rendition of the Tabăra Monastery, capturing its architectural grandeur, including its distinctive domes and intricate facade. The obverse typically bears the national coat of arms of Moldova, encircled by the country's name and the year of issue, adhering to standard numismatic conventions for the period.
Technical/Grading: Struck in .925 fine silver, weighing 16.5 grams with a diameter of 30 mm, this coin exhibits the superior strike quality typical of modern commemorative issues. Key high-points for grading include the finely rendered architectural details of the monastery, particularly the definition of its cupolas, rooflines, and any delicate ornamentation on the walls. Collectors should look for sharp relief, clear fields, and an absence of contact marks, which are indicative of a well-preserved specimen, often displaying a proof-like finish.