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50 Israeli Pounds Chaim Weizmann
| Emittent | Bank of Israel |
|---|---|
| Jahr | 1973 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | 31 March 1984 |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | The obverse carries an intaglio portrait vignette of Chaim Weizmann, first President of Israel, positioned to the right of centre against a fine guilloche underprint. To the left appears a vignette of the Wix Library at the Weizmann Institute of Science. Denomination and issuing authority inscriptions — "Fifty Israeli Pounds" and "Bank of Israel" — are rendered in Hebrew, with the date 1973 and the Hebrew year התשל"ג. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The reverse presents a detailed architectural vignette of the Damascus Gate (Sha'ar Shkhem) in the Old City of Jerusalem, rendered in intaglio against a multicolour guilloche underprint. The denomination numeral "50" appears at left and right, with the issuing authority title "Bank of Israel" inscribed in Hebrew, English, and Arabic across the note. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Israeli Pound series of the early 1970s was already obsolete by the time most notes reached heavy circulation — the Pound was replaced by the Shekel in 1980 at a rate of 10:1, itself a casualty of inflation that would eventually consume the Shekel too. Enschedé's involvement here is unsurprising; the Haarlem firm had printed for the Bank of Israel since its earliest issues.
Paul Kor and Adrian Senger are an unusual pairing — Kor was an Israeli artist, Senger a Dutch engraver at Enschedé, a collaboration that reflected the practical division between design conception and intaglio execution that defined many postcolonial currency programs of the period.