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| 表面の説明 | Brown and blue bicolour Notgeld voucher printed in letterpress. The centre is occupied by a large scenic vignette of the main street of Strengberg, with a church steeple rising above the townscape, framed by elaborate rococo-style scrollwork. A smaller inset vignette in the lower left corner depicts Schloss Achleiten, captioned accordingly, while a heraldic device appears at lower right. The denomination numeral '50' appears in large bold type at upper left and upper right, surmounted by a banner cartouche bearing the town name 'Strengberg', with the word 'Gutschein' inscribed in gothic script below the central vignette. The artist's signature 'H. Pernolf' is visible within the central scene. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Monochrome blue letterpress note with a dense geometric guilloche underprint of interlaced diagonal bands across the entire field. A central rectangular vignette presents a detailed view of the Strengberg parish church (Pfarrkirche) with the caption 'Bild in der Kirche aus der Zeit' and the date '1329' at the foot of the panel. The denomination '50 Heller' appears in large gothic script flanked by ornamental numeral panels at left and right, with the word 'fünfzig' repeated in the upper register. The redemption text states that the Gemeinde Strengberg guarantees acceptance of the voucher until 31. Dezember 1920, with three facsimile signatures of municipal officials printed at the foot. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Strengberg is a small market town in Lower Austria, and this 50 Heller note is a product of the postwar Notgeld wave that swept Austrian municipalities between 1919 and 1922 — a period when chronic small-coin shortages forced local authorities to print their own emergency scrip. Gemeinde Strengberg was no exception, and the three-signature authentication requirement (Vicebürgermeister, Bürgermeister, and Gemeindekassier) reflects the administrative formality many towns applied to what were, in practice, hyperlocal monetary instruments of uncertain redemption.
Designer H. Pernolf is otherwise obscure in the Notgeld literature — likely a local or regional commercial artist rather than a specialist printer's engraver.