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50 Heller St. Johann in Engstetten
| Uitgever | Gemeinde St. Johann in Engstetten (Municipality of St. Johann in Engstetten) |
|---|---|
| Jaar | 1920 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse is printed in two-colour letterpress on plain paper, with the full municipal title 'Gemeinde St. Johann in Engstetten.' in bold Gothic script at the top, underlined by a rule. A four-line regional dialect verse in Upper Austrian vernacular appears at upper left, while the denomination '50 Heller.' is set in large bold type to the right; below, a central text block sets out the municipality's liability guarantee with a redemption deadline of 30 December 1920 and an anti-counterfeiting warning. Three printed facsimile signatures with their respective official titles validate the note at foot. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Josef Tempelmayer, Wagner Franz and Engelbert Pfaffenbichler |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
St. Johann in Engstetten is a village in Lower Austria, and this note is a product of the Notgeld wave that swept Austria's smaller municipalities between 1919 and 1921 — a period when fractional coinage had effectively vanished from circulation, hoarded or melted, leaving communities to print their own low-denomination substitutes. The Amstetten printer Druck & F. Atelier handled several such local commissions in the region.
Emerich Kraiß as named designer is the distinguishing detail here. Three signatories — Tempelmayer, Franz Wagner, and Engelbert Pfaffenbichler — authenticated each note by hand, an unusually full complement for a village issue of this denomination.