Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
50 Heller St. Georgen an der Gusen
| Uitgever | Market Town of Sankt Georgen an der Gusen (Federal State of Upper Austria) |
|---|---|
| Jaar | 1920 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Krone (1918-1921) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | At left, a green vignette of old stone ruins partially obscured by overgrown vegetation, enclosed within a green border. At right, a brown and black floral vignette is accompanied by the denomination numeral '50' in large print. The printer's imprint and edition designation appear in green along the lower margin. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | St Georgen A. D. Gusen Erste Auflage Zweite Fassung KLEMENS BROSCH LINZ 1920. ZWEITE FASSUNG, ERSTE AUFLAGE (Translation: St. Georgen an der Gusen First Edition Second Version KLEMENS BROSCH LINZ 1920. Second Version, First Edition) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Klemens Brosch was one of the most gifted graphic artists working in Linz in the early twentieth century — and also one of the most tragic. He died by suicide in 1925 at thirty-six, leaving behind a body of work that included commercial graphics, bookplates, and a small number of Notgeld commissions for Upper Austrian municipalities. His involvement in the St. Georgen an der Gusen issue means this note was both designed and printed by the same hand, an uncommon arrangement that gives the piece a coherence rarely seen in the genre.
The Notgeld wave that produced it was driven by a nationwide coin shortage following Austria's defeat in the First World War, with market towns issuing their own fractional scrip to keep local commerce moving.