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50 Heller Hausmening

Uitgever Gemeinde Hausmening (Municipality of Hausmening)
Jaar
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Rectangular
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Brown and blue-grey Notgeld note with an ornate Art Nouveau-style border of interlocking geometric and foliate motifs. To the left, an oval vignette contains a profile portrait of a woman in period dress with an elaborate headdress rendered in fine letterpress. To the right, a second oval panel carries the issuing authority text and validity inscription, flanked by a central decorative cartouche with scrollwork; three facsimile signatures of municipal officials appear below. The denomination 'FÜNFZIG 50 HELLER' is set in large bold type across the top.
Opschrift voorzijde FÜNFZIG 50 HELLER
NOTGELD
der
GEMEINDE
HAUSMENING
GILTIG BIS 31. DEZ. 1920
NACHAHMUNG
wird gesetzl.
bestraft.
DER BÜRGERMEISTER
DER VIZEBÜRGERMEISTER
DER GEMEINDERAT
Entwurf: Robert Schönbrunner — Druck von F. Kielar, Amstetten
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Hausmening is a small village in Lower Austria, and this 50 Heller note is one of the thousands of municipal Notgeld issues that flooded Austria between roughly 1919 and 1922, filling the vacuum left by the collapse of the Austro-Hungarian krone system and the chronic shortage of small-denomination coinage. Gemeinden of almost no economic significance became de facto issuers of emergency currency, often commissioning local printers — here F. Kielar of nearby Amstetten — rather than the larger Viennese firms.

The split designer credits are worth noting: Robert Schönbrunner handled the obverse while Hans Kozak took the reverse, an unusual division of labor for a village-level note from a regional press.

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