Catalogus
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| Uitgever | Netherlands |
|---|---|
| Jaar | 2019-2020 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Mujand Fantasy Bankbiljetten |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Full-length intaglio-style vignette of Mata Hari in a reclining nude pose, wearing only an ornate jewelled headdress and body adornments, set against a green guilloche underprint with stylised wing and floral motifs. Denomination numerals '50' appear at upper right and lower left, with a Dutch philosophical quotation in small text at left. The note bears the 'SPECIAL EDITION REV. 2' inscription at lower right. |
| Opschrift keerzijde | MUJAND FANTASY BANKBILJETTEN M 137 S24 G DOOD IS NIETS. NOCH LEVEN, TROUWENS, OM TE STERVEN, TE SLAPEN, IN MET NIETS OVER TE GAAN, WAT MAAKT WET ALLES IS EEN ILLUSIE. 50 50 MATA HARI GEBOREN: MARGARETHA GEERTRUIDA ZELLE SPECIAL EDITION REV. 2 |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Not a circulating note and never intended to be. Mujand Fantasy Bankbiljetten is a Dutch novelty producer specializing in commemorative and gift notes designed for the collector and souvenir market — these carry no legal tender status and are produced entirely outside any central bank authorization. The "Mata Hari" designation places this in a series of Dutch cultural figures rendered on polymer fantasy issues, timed loosely around the centenary of her 1917 execution in France.
Polymer substrate on a piece like this is a curious choice — more expensive than paper for a non-circulating item, but it photographs well and resists handling damage at point of sale.